. The air brush in photography, incorporating a progressive series of lessons . Figure 32 Worked In Background, Printed Tliroiiyli One Thickness of Glass 109. Figure 32-APortrait Uith Plain Background 110 5 « 3 ^B ^^^^^^^^^^^^P ^^^^^^^^^^V ij^ 1 E t ^^^^^^^^^^1 ^^^m^^^^^^J 1 1 ^^^H^^^^^^^l ^^^^KW,i^^ ^^ m 1 n ^^^^K^V^: ^r m ^^^j ^^^^^Kf;u~>\ Hifii mJm ^1 ^^^^^K^ ^^^H Vw H ? „ ^gi^ ^ —1 FiGURK 32-BPortrait with Printcd-in Baclci/rouiid,Made Through Two Thicknesses of Glass 111 The negative and ground glass should be placed upon the easelwith the ground glass on top of the emulsion side of th
. The air brush in photography, incorporating a progressive series of lessons . Figure 32 Worked In Background, Printed Tliroiiyli One Thickness of Glass 109. Figure 32-APortrait Uith Plain Background 110 5 « 3 ^B ^^^^^^^^^^^^P ^^^^^^^^^^V ij^ 1 E t ^^^^^^^^^^1 ^^^m^^^^^^J 1 1 ^^^H^^^^^^^l ^^^^KW,i^^ ^^ m 1 n ^^^^K^V^: ^r m ^^^j ^^^^^Kf;u~>\ Hifii mJm ^1 ^^^^^K^ ^^^H Vw H ? „ ^gi^ ^ —1 FiGURK 32-BPortrait with Printcd-in Baclci/rouiid,Made Through Two Thicknesses of Glass 111 The negative and ground glass should be placed upon the easelwith the ground glass on top of the emulsion side of the negative inwhich position the emulsion side of the negative and ground side ofground glass should face the operator as the background is to beworked on the ground glass side. If one wishes to work in a ground similar to that shown in Fig-ure 32, the design should be drawn (on stencil paper) in proportionto the figure and then cut out with a sharp pointed knife, preferablya stencil knife. One must bear in mind that the negative part of stencil must beused as the background must be worked in negative form. The stencil should now be placed upon t
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Keywords: ., bookcentury1900, bookdecade1920, bookidairbrushinph, bookyear1920
