. International studio. a havingwrought a marked influence on Georgian interiordecoration. The color scheme of these two muralsis, in the main, dull gold, gray and blue, and withits Oriental phantasy combines many realisticnotations, as in the flowers, the pagodas, bridges,stools and tables. The bravura masses of color inthe Goelet decorations are equalled here, in thelight of perfect relation, by the delicate grace andreserve of the composition and the color the general subject of the twenty-seven panels in the restaurant of the Hotel Wash-ington in the national capital is The
. International studio. a havingwrought a marked influence on Georgian interiordecoration. The color scheme of these two muralsis, in the main, dull gold, gray and blue, and withits Oriental phantasy combines many realisticnotations, as in the flowers, the pagodas, bridges,stools and tables. The bravura masses of color inthe Goelet decorations are equalled here, in thelight of perfect relation, by the delicate grace andreserve of the composition and the color the general subject of the twenty-seven panels in the restaurant of the Hotel Wash-ington in the national capital is The Fetes Givenfor the Marriage of Bianca Cappello—Florenceand, therefore, is of the Italian Renaissance, has treated his decoration in a mannermarkedly different from that of I he Goelet simpler note runs through th<tion of the era when Renaissance architecture,costumes and manner-- were still clinging to theclassical influences and were less vivacious than 1922 ninely-lbree tnceRnACionAL SOTM©. CENTRAL PANEL OF VENETIAN SEt PAINTED BY J. ALDEN TWACHTMANFOR ROBERT GOELETs HOUSE, GOSHEN, N. V. ninety-jour april 1922 W!
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Photo credit: © The Reading Room / Alamy / Afripics
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
