. Programme. a secondmotive, which is distinguished by greater tranquillity; after a shortdevelopment, in which the two themes are presented simultaneously,the motive appears in a characteristic form, for full orchestra, butonly for a short time. A second transformation of the initial themeincludes now and then the plaintive notes of the Introduction. Variedepisodes bring gradually calm, and thus prepare the Adagio in extremely peaceful and contemplative theme is given to the violins,violas, and violoncellos, which are supported by organ chords. Thistheme is then taken by clarinet,
. Programme. a secondmotive, which is distinguished by greater tranquillity; after a shortdevelopment, in which the two themes are presented simultaneously,the motive appears in a characteristic form, for full orchestra, butonly for a short time. A second transformation of the initial themeincludes now and then the plaintive notes of the Introduction. Variedepisodes bring gradually calm, and thus prepare the Adagio in extremely peaceful and contemplative theme is given to the violins,violas, and violoncellos, which are supported by organ chords. Thistheme is then taken by clarinet, horn, and trombone, accompanied bystrings divided into several parts. After a variation (in arabesques)performed by the violins, the second transformation of the initial theme Ss - Bostonoymphony Orchestra VICTOR RECORDS There are dealers in Victorproducts everywhere and anyof them will gladly play anyof the Boston SymphonyOrchestra records for you. Victrolas $25 to $1500 Victor Talking Machine Co. Camden NJ. of the Allegro appears again, and brings with it a vague feeling of unrest,which is enlarged by dissonant harmonies. These soon give way tothe theme of the Adagio, performed this time by some of the viohns,violas, and violoncellos, with organ accompaniment and with a persistentrhythm of triplets presented by the preceding episode. This firstmovement ends in a Coda of mystical character, in which are heardalternately the chords of D-fiat major and E minor. The second movement begins with an energetic phrase (Allegromoderato), which is followed immediately by a third transformationof the initial theme in the first movement, more agitated than it wasbefore, and into which enters a fantastic spirit that is frankly disclosedin the Presto. Here arpeggios and scales, swift as lightning, on thepianoforte, are accompained by the syncopated rhythm of the orchestra,and each time they are in a different tonality (F, E, E-flat, G). Thistricky gayety is interrupted by an expressive phra
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
