. History of lace . Mgr. le Dauphin. Arch. Nat. K. 505, Jacob Johnson, born at Antwerp, No. 20. lace-maker, and Antony du Veal, lace- 1792. 2 tayes doreillier garnis de weaver, born in Turny (Tournay). nialine.—Notes da Huge du ci-devant -* This portrait has been engraved Roi. Ibid. No. 8. by Verbruggen, who gives it as that 1792. 24 fichus de batiste garnis of Catherine of Maline. 1^0 HISTORY OF LACE were expedited first to Cadiz, and there disposed of. In1696, we find in a seizure made l)y Monsieur de la Belliere,on the high seas, 2181 pieces de dentelles grossieres aIEspagnole ass
. History of lace . Mgr. le Dauphin. Arch. Nat. K. 505, Jacob Johnson, born at Antwerp, No. 20. lace-maker, and Antony du Veal, lace- 1792. 2 tayes doreillier garnis de weaver, born in Turny (Tournay). nialine.—Notes da Huge du ci-devant -* This portrait has been engraved Roi. Ibid. No. 8. by Verbruggen, who gives it as that 1792. 24 fichus de batiste garnis of Catherine of Maline. 1^0 HISTORY OF LACE were expedited first to Cadiz, and there disposed of. In1696, we find in a seizure made l)y Monsieur de la Belliere,on the high seas, 2181 pieces de dentelles grossieres aIEspagnole assorties. (Pkte XLI.) Since the cessation of this Spanish market, Antwerp lacewould have disappeared from the scene had it not been forthe attachment evinced by the old people for one pattern,which has been worn on their caps from generation togeneration, generally known l)y the name of pot lace ?(potten kant). It is made in the Beguinages of three?qualities, mostly fond double. The pattern has always a Fig. A Lady of Antweri.—(Ob. 1598. After Crispin de ) vase (Fig. 64), varied according to fancy. Antwerp nowmakes Brussels lace. One of the earliest pattern-books, that printed l)y Vor--sterman ^^—the title in English—was published at Antwerp,but it only contains patterns for Spanish stitch and otherembroidery—no lace. There is no date affixed to the title-page, which is ornamented with six woodcuts representing ?•^ MoTiire Galant, 1696. °* The flower-pot was a symbol oftlie Annunciation. In the early repre-sentations of the appearance of theAngel Gabriel to the Virgin Mary, liliesare placed either in his hand, or set as ;vn accessory in a vase. As Romanismdeclined, the angel disappeared, and thelily pot became a vase of flowers; snbse-(juently the Virgin was omitted, .andthere remained only the vase of flowers.^^ See Appendix. to
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