The American annual of photography . CHRYSANTHEMUMS. ALICE L. BECHT. my rolling shade at the bottom of window, and drawing outthe centre part to admit a narrow stream of light, and using asmall reflector which I kept in motion to cover all shadows. Where there are flowers of different colors, it is sometime^well to place those that will photograph light (such as bluesand lavenders) in the deepest shadows, and the yellows andreds in the strongest light, as they are apt to take too find, too, that the white flowers, in strong light, are apt toshow strong halation. Ordinarily I use a portr
The American annual of photography . CHRYSANTHEMUMS. ALICE L. BECHT. my rolling shade at the bottom of window, and drawing outthe centre part to admit a narrow stream of light, and using asmall reflector which I kept in motion to cover all shadows. Where there are flowers of different colors, it is sometime^well to place those that will photograph light (such as bluesand lavenders) in the deepest shadows, and the yellows andreds in the strongest light, as they are apt to take too find, too, that the white flowers, in strong light, are apt toshow strong halation. Ordinarily I use a portrait lens with No. 8 stop (No. i6 istoo definite for me) and rather rapid plate, as I live near trains 268. IN THE ARROYO HILLS. Louis Fleckenstein.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyorktennantandw
