. Programme . Todesehnen, composed in 1878.)The pianoforte enters afterwards with free preluding passages. Theorchestra takes up the chief theme again. There is a figuration of avaried character for the pianoforte (B-flat major, B-fiat minor). Atransitional passage in B major leads to the last return of the theme,at first in B major and then in B-flat major. The orchestra uses it forthe Coda, while the pianoforte has trills and arpeggios. TV. Allegretto grazioso, B-flat major, 2-4. The finale is in fullrondo form. There are three themes: the first a lively one announcedby the pianoforte and de
. Programme . Todesehnen, composed in 1878.)The pianoforte enters afterwards with free preluding passages. Theorchestra takes up the chief theme again. There is a figuration of avaried character for the pianoforte (B-flat major, B-fiat minor). Atransitional passage in B major leads to the last return of the theme,at first in B major and then in B-flat major. The orchestra uses it forthe Coda, while the pianoforte has trills and arpeggios. TV. Allegretto grazioso, B-flat major, 2-4. The finale is in fullrondo form. There are three themes: the first a lively one announcedby the pianoforte and developed at length by it and the orchestra; amore cantabile theme of a Hungarian character in thirds and sixths,given out alternately by strings and wood-wind with an arpeggio ac-companiment for the pianoforte; and a playful theme, which firstappears in the pianoforte with a pizzicato string accompaniment. Thesethemes are developed elaborately. There is a long coda, un poco piupresto. Rich inFood Value -IK <. „w^^l?»Si!c<»# K\^ \
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
