The Slade; a collection of drawings and some pictures done by past and present students of the London Slade School of Art, MDCCCXCIII-MDCCCVII . ount of the methods by which thedevelopment of this indispensable conception can be encouraged and it to say that we get no teaching and assistance at the Slade School butwhat would tend to its development. John Fothergill. It might be maintained that to thoroughly drill the student in the working out of details is the onlymethod by which he can ultimately acquire breadth and freedom. But how is it to be supposed thatfreedom and breadth
The Slade; a collection of drawings and some pictures done by past and present students of the London Slade School of Art, MDCCCXCIII-MDCCCVII . ount of the methods by which thedevelopment of this indispensable conception can be encouraged and it to say that we get no teaching and assistance at the Slade School butwhat would tend to its development. John Fothergill. It might be maintained that to thoroughly drill the student in the working out of details is the onlymethod by which he can ultimately acquire breadth and freedom. But how is it to be supposed thatfreedom and breadth wnLsprjng^untau^t, unsought for, from an ever increasing love and knowledge ofdetail? Breadth and freedomjnust be taught first and the detail wjJJjMlow jasily into its owri^ as you can train muscle on to a hound only in proportion to the size of its bone, so will the puttingin of the detail be of use and instructive only in proportion to the solidity of the general construction withwhich the student starts his drawing. DRAWINGSDONE AT THE SLADE SCHOOL DRAWINGS AND PICTURES BY SEVERAL PAST AND PRESENT STUDENTS OF THE SLADE SCHOOL.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdrawingbritish, booky
