International studio . light tonal scheme of the fountain bringing into prominence the maincomposition. The decorative foliage shows theinfluence of Botticelli and the conservativeFlorentines of the Early Renaissance. It an analysis of this artists work in decora-tive tempera painting reveals him as a tem-peramental painter, this quality is the one, morethan all else, which stands out in his phase of his art reveals Joseph Southallssincerity and power of characterization. It isemphasized in the tempera portrait of the lateJoseph Chamberlains niece, Bertha Hope, as anurse, pain
International studio . light tonal scheme of the fountain bringing into prominence the maincomposition. The decorative foliage shows theinfluence of Botticelli and the conservativeFlorentines of the Early Renaissance. It an analysis of this artists work in decora-tive tempera painting reveals him as a tem-peramental painter, this quality is the one, morethan all else, which stands out in his phase of his art reveals Joseph Southallssincerity and power of characterization. It isemphasized in the tempera portrait of the lateJoseph Chamberlains niece, Bertha Hope, as anurse, painted last year and exhibited in thecurrent exhibition of the New English Art she is a niece of the great politician thereis no doubt—her eyes are the evidence. Hisportrait of John Arthur Kendrick, exhibited atthe New English Art Club in 1914, is anotherexample of fine brushwork. As to this artists influence on modern art, itis only necessary to recall the work of theBirmingham group in tempera. Most of them. CHANGING THE LETTER. (FROM THE MAN BORN TO BE KING-, IN WILLIAM MORRISS EARTHLYPARADISE.) TEMPERA PAINTING BY JOSEPH E. SOUTHALL 50
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
