Bernardo Bellotto. The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof. 1766. Italy. Etching with engraving in black on ivory laid paper Known for his majestic urban landscapes, the Venetian born Bernardo Bellotto apprenticed with the famed Canaletto, his uncle. In 1747 Augustus III, king of Poland and elector of Saxony, invited Bellotto to Dresden, where his career quickly took off. Bellotto’s 37 paintings depicting the architecture of the city were part of Augustus’s plan to make Dresden into one of the major capitals of Europe. When the Prussians invaded on the brink of the Seven
Bernardo Bellotto. The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof. 1766. Italy. Etching with engraving in black on ivory laid paper Known for his majestic urban landscapes, the Venetian born Bernardo Bellotto apprenticed with the famed Canaletto, his uncle. In 1747 Augustus III, king of Poland and elector of Saxony, invited Bellotto to Dresden, where his career quickly took off. Bellotto’s 37 paintings depicting the architecture of the city were part of Augustus’s plan to make Dresden into one of the major capitals of Europe. When the Prussians invaded on the brink of the Seven Years’ War, Bellotto sought refuge and new work in Vienna. Upon returning in 1761, Bellotto found Dresden, its suburbs, and his home destroyed. This print documents his beloved city ruined by war.
Size: 3000px × 2487px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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