. Technology of textile design. Being a practical treatise on the construction and application of weaves for all textile fabrics, with minute reference to the latest inventions for weaving. Containing also an appendix showing the analysis and giving the calculations necessary for the manufacture of the various textile fabrics. Such an example is shown in weave Fig. 708. Repeat: 2 ends face, i end back in warp and 8 picks. The arrangement of the filling is— Pick I face, binder. 2 ),( Vface, regular. 4 wadding. S 1 „ y-> face, the same as picks 2 and 3. 7 wadding. 8 face, the same as picks 2
. Technology of textile design. Being a practical treatise on the construction and application of weaves for all textile fabrics, with minute reference to the latest inventions for weaving. Containing also an appendix showing the analysis and giving the calculations necessary for the manufacture of the various textile fabrics. Such an example is shown in weave Fig. 708. Repeat: 2 ends face, i end back in warp and 8 picks. The arrangement of the filling is— Pick I face, binder. 2 ),( Vface, regular. 4 wadding. S 1 „ y-> face, the same as picks 2 and 3. 7 wadding. 8 face, the same as picks 2 or Fig. 709 illustrates the section cut of a fabric interlaced with weave, Fig. 708. Figured Pique. These fabrics are also executed on the principle of the double cloth. Both cloths are quiteplain in their weave, but the face is much finer than the back. White is the color in which theyare generally made. A wadding pick may be used to give bulk to the cloth, and the em-bossed effect likewise characterizes these fabrics. The design for the fabric is also formed bybinding both cloths together. The thicker the wadding and the larger the figure required to bedesigned, the more prominent will be the effect. In many of the lighter fabrics no waddingpick is used, but the two cloths are simply stitched 142 Fig. 710 illustrates a weave for these kind of fabrics (without a wadding pick). Fig. 711 isthe motive of the stitching for effect in Fig. 710. A consideration of the face-picks will show in every one of them some of the binder-warpup, according to the figure required. This will easily explain the stitching of the fabric. As both warps are white, no change incolor can be seen but the effect will be produced by the weave, as every binding back-warp threadwill pull in the face of the fabric, in any place where it is raised on a face-pick, somewhat similarto the stitching together of two bulky fabrics with a sewing machine. Large designs, such as secaBHaDHHOEian
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Keywords: ., bookcentury1800, bookdecade1880, booksubjecttextilefabrics, booky
