An introduction to the study of prehistoric art . , or from which ithas been worn off. Those still with the enamel are illus-trated by specimens from Polden Hills,^ Stanwick,^ andRice near Hull. The last named is prettily decoratedwith circles and squares filled with a blue quatrefoil on ared ground.*^ Also in a very fine example of metal workduff out of a moss at Birrenswork Hill, shows great skill for it is a single casting in bronze, andis designed as carefully as a piece of jewellery (Fig. 296).Within the cheek rings is an oblong plate enamelled in redand yellow in triangu


An introduction to the study of prehistoric art . , or from which ithas been worn off. Those still with the enamel are illus-trated by specimens from Polden Hills,^ Stanwick,^ andRice near Hull. The last named is prettily decoratedwith circles and squares filled with a blue quatrefoil on ared ground.*^ Also in a very fine example of metal workduff out of a moss at Birrenswork Hill, shows great skill for it is a single casting in bronze, andis designed as carefully as a piece of jewellery (Fig. 296).Within the cheek rings is an oblong plate enamelled in redand yellow in triangular and oval spaces. On one side, thebit on entering the cheek ring at once ends in this plate ;on the other a second plate intervenes, extending t ight 1 Horce Ferules, p. 196, Plate XX, Fig. 4. , xxxvi., , Plate XXXVIII, Figs, i, 2, 3, 4- -Jo. Bril. Arclueol. Assoc, xvi., p. 269, Plate XXII. ^ Hone Ferates, p. 195, Plate XIX, Fig. 4. ^ Ibid., Fig. 12. •Op. cit. ^ Brit. Mus. Guide—Early Iron Age, Plate V, Fig. 4. PLATE XVI. 4


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Keywords: ., bookcentury1900, bookdecade1910, bookidintroduction, bookyear1915