Beaker ca. 1730–50 Georgius Olescher Jr. An elegant rhythm is created in this beaker by alternating gilded vertical concave flutes with silver panels containing finely embossed and chased ornament on a matte ground. Georgius Olescher Jr., the maker here, was probably inspired by the work of Michael II May, who spent several years in France becoming familiar with Regence ornaments, returning to Brassó by December 1731. Other Transylvanian beakers are similarly decorated, including examples with this typical bell-shaped form. And it was May who produced several such large beakers, all of which a
Beaker ca. 1730–50 Georgius Olescher Jr. An elegant rhythm is created in this beaker by alternating gilded vertical concave flutes with silver panels containing finely embossed and chased ornament on a matte ground. Georgius Olescher Jr., the maker here, was probably inspired by the work of Michael II May, who spent several years in France becoming familiar with Regence ornaments, returning to Brassó by December 1731. Other Transylvanian beakers are similarly decorated, including examples with this typical bell-shaped form. And it was May who produced several such large beakers, all of which are similarly ornamented (István Heller. Ungarische und siebenbürgische Goldschmiedearbeiten: Vom Ende des 16. Jahrhunderts bis zum Ende des 19. Jahrhunderts. Munich, 2000, pp. 106–8, nos. 31 and 32). Some were produced with a lid. The Regence strapwork is an adaptation of French and German silver ornament but was also one of the main patterns featured on porcelain from the influential Viennese DuPaquier manufactory. The number of surviving examples made in Brassó indicates that this type of drinking vessel, all partially gilded, was extremely popular in the region (see, for example, Erdély régi művészeti emlékeinek kiállítása az Iparművészeti múzeumban / Ausstellung alten Kunstgewerbes aus Siebenbürgen. Exh. cat. Országos Magyar Iparművészeti Múzeum. Budapest, 1931, pp. 32–33, no. 144, pl. III, and Baroque Splendor: The Art of the Hungarian Goldsmith. Exh. cat. by István Fodor et al. Bard Graduate Center for Studies in the Decorative Arts. New York, 1994, p. 129, no. 66, and p. 131, no. 69).LiteratureTihamér Gyárfás. A brassai ötvösség története. Brassó, 1912, pp. 110–11, no. Silver. Sale cat., Sotheby’s, New York, June 17, 1981, , no. H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, p. 80, no. ér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkze
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