Allegory on the greed L'amour de l'or (title object) Salon 1844 (series title), the Salon 1844 (series title object) the miser behind the table with golden coins and jewelery personifies the Avaritia or greed. The allegorical figures representing him beside the things fueling his desire for gold as precious clothes and beautiful women. Behind the miser is a duivel. Manufacturer : printmaker Henri Charles Antoine Baron (listed property) designed by: Couture (listed building) printer: Victor Jacques Bertauts (listed building) Editor: Augustin Challamel (listed property) Place Manufacture: Paris
Allegory on the greed L'amour de l'or (title object) Salon 1844 (series title), the Salon 1844 (series title object) the miser behind the table with golden coins and jewelery personifies the Avaritia or greed. The allegorical figures representing him beside the things fueling his desire for gold as precious clothes and beautiful women. Behind the miser is a duivel. Manufacturer : printmaker Henri Charles Antoine Baron (listed property) designed by: Couture (listed building) printer: Victor Jacques Bertauts (listed building) Editor: Augustin Challamel (listed property) Place Manufacture: Paris Date: 1844 Material: paper technique: lithography (technique) Dimensions: sheet: h 209 mm × W 279 mmToelichtingPrent published: Album du Salon de 1844, Collection des principaux ouvrages exposés au Louvre, repro german par les peintres eux-mêmes ou sous leur direction, Paris 1844. Subject: minerals and metals: goldmiserGreed, covetousness, cupidity; "Cupidità '(Ripa)
Size: 1829px × 1367px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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