. Leonardo da Vinci, artist, thinker and man of science. ted Verrocchios claims to thebeautiful bas-rehef in the church of San Giacomo at Rome, signed Opus Andrese, whichSchmarsow attributed to Andrea da Milano. But this Madonna and Child seem to metoo pure and classic a work for our master. It has too little in common with his restlessand very individual manner. LArte, 1898, p. 218—219. ^ Die Galerien zu Berlin, p. 35 ^/ seq. 2 Ascribed, in the National Gallery catalogue, to the School of Verrocchio.—Ed. G 2 44 LEONARDO DA VINCI A terra-cotta model, a study for one of the two angels on Cardin
. Leonardo da Vinci, artist, thinker and man of science. ted Verrocchios claims to thebeautiful bas-rehef in the church of San Giacomo at Rome, signed Opus Andrese, whichSchmarsow attributed to Andrea da Milano. But this Madonna and Child seem to metoo pure and classic a work for our master. It has too little in common with his restlessand very individual manner. LArte, 1898, p. 218—219. ^ Die Galerien zu Berlin, p. 35 ^/ seq. 2 Ascribed, in the National Gallery catalogue, to the School of Verrocchio.—Ed. G 2 44 LEONARDO DA VINCI A terra-cotta model, a study for one of the two angels on CardinalForteguerras tomb in the Cathedral at Prato (see p. 39), may alsoperhaps have been the result of collaboration between master andpupil. If they were not by Verrocchio, says M. Louis Gonse, these angels (now in the Thiers Collection at the Louvre), mightwell be by the divine hand of Leonardo himself, so stronglydoes the Leonardesque sentiment that permeates them recall thefigures of the angels in the Vir-gin of the Rocks, and the Baptismof Christr. STUDY OF A HORSEMAl(Windsor Library ) The Angels frotn Verrocchio s Picticre of the ? BaptisDiof Christ. (Tho Angel on the riglil hy I^eonardo, the Angel on the left by Verrocchio.) (aCCADTMIA AKTI, FLOKKNCK.)
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