. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. ^3 FIQ. 42.—THE RUSSIAN CHURCH AT PARIS. See pages 82, 84. 80, 323. 84 PAINTING, SCULPTURE, AND ARCHITECTURE. md dignity suggested by straight lines, they rep-resent repose? No-tice the general effectof the horizontal enta-blatures, window-capsor string-courses inFig. 14, page 36, P^, page345; Fig. 197,page35o,Fig. 198, page351, and Fig. 203, page365. If, on the con-trary, the predomina-ting lines be vertical,and the angles, by be-ing sharp, aid the effectof verticality, is it nottrue tha
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. ^3 FIQ. 42.—THE RUSSIAN CHURCH AT PARIS. See pages 82, 84. 80, 323. 84 PAINTING, SCULPTURE, AND ARCHITECTURE. md dignity suggested by straight lines, they rep-resent repose? No-tice the general effectof the horizontal enta-blatures, window-capsor string-courses inFig. 14, page 36, P^, page345; Fig. 197,page35o,Fig. 198, page351, and Fig. 203, page365. If, on the con-trary, the predomina-ting lines be vertical,and the angles, by be-ing sharp, aid the effectof verticality, is it nottrue that, combinedwith the seriousnessand dignity suggestedby straight lines, theyrepresent elevation ofsoul or aspiration ?See Figs. 24, page 52 ; 25. page 53 ; 41- page81 ; 42, page 83 ; and 43, page 84. Observealso what a close re-semblance there is be-tween the general ef-fect of the trees in Fig. 44, page 85, and of thecolumns and ceiling inFig. 43, page 43.—INTERIOR OF BEVERLEY MINSTER, 32, 82, 84, , 38S, 399, 405.
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