Brooklyn Museum Quarterly . ng the Keio Gijuku and the Kyoritsu Gakusha. Additional emphasis may be laid upon the influence ofSelf Help in forming the spirit of New Japan. The bookitself, essentially materialistic, was in accordance with thespirit of the Japanese reformers and the revolutionists ofthe time. It was taken much more seriously in Japan thanin England or America, and, in a way replaced the Confuciananalects among progressive scholars. Confucianism initself has a basis of utilitarianism and Nakamura, a Chinesescholar, translated Smiles from the standpoint of a Con-fucianist who had
Brooklyn Museum Quarterly . ng the Keio Gijuku and the Kyoritsu Gakusha. Additional emphasis may be laid upon the influence ofSelf Help in forming the spirit of New Japan. The bookitself, essentially materialistic, was in accordance with thespirit of the Japanese reformers and the revolutionists ofthe time. It was taken much more seriously in Japan thanin England or America, and, in a way replaced the Confuciananalects among progressive scholars. Confucianism initself has a basis of utilitarianism and Nakamura, a Chinesescholar, translated Smiles from the standpoint of a Con-fucianist who had been trained in Western had much the same point of view, w^ithout, how-ever, being distinguished especially in Chinese letters, andhence was more amenable to Western ideas. 113 ? |i. ^^ i ^ ^ ^ -^ i- jf^ t^ iT. -^. ^ ?^ i(p B- j^ /~- ^^r i^ ^«J . ^ ? -:- -5- i ^7 i • -i ? -1- I x* _^ .^ -i ^ A iC ^ v 1, y ? .i -4 J- 5 ^4> ?«^ V? t^! tr >. - •% El V >-, -is M 5- ^ ^ i-*•• l. SIR JOSHUA REYNOLDSThe painter lectures on Art to his pupils.
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Keywords: ., bookcentury1900, bookdecade1910, bookidbrooklynmuseumqu46broouof
