Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 5 the English organ-builders; and during the latter half of the lastcentury was inserted in the majority of the organs then fine example of the stop exists in the Great of the Bishop Organin the Church of St. Mary, Nottingham. The Clarabella, in its THEIR ARTISTIC REGISTRATION 55 original and most desirable form, has of late years been compara-tively seldom made, a fact to be regretted. Formation.—-The Clarabella was devised by J. C. Bishop to take th
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 5 the English organ-builders; and during the latter half of the lastcentury was inserted in the majority of the organs then fine example of the stop exists in the Great of the Bishop Organin the Church of St. Mary, Nottingham. The Clarabella, in its THEIR ARTISTIC REGISTRATION 55 original and most desirable form, has of late years been compara-tively seldom made, a fact to be regretted. Formation.—-The Clarabella was devised by J. C. Bishop to take the placeof the higher octaves of the Stopped Diapason, 8 ft., which he found insufficientin volume of tone to cope with the increase of power being given to the Open Dia-pason and other stops of the Great Organ. At first it occupied the treble octavesfrom middle c1 only, but later it was carried down to tenor C, as in the Great ofthe Organ in St. Marys, Nottingham; the bass being in covered pipes. The stophas, however, been made with its open pipes throughout, as in the Organ built byBooth, of Wakefield, for the Brunsw
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
