Programme . who honor their calling, like to sell goodthings, because they know the satisfaction ofthe buyer is a personal asset for themselves. Henry F. Miller was a salesman when he started tomake pianos and he personally sold his own product—even as his sons and grandsons do to-day. Their45,000 customers are friends whose continued good-will is the best evidence of Henry F. Miller integrityand reliability. The salesman who urges you to buy a Henry Piano is doing you a friendly service; he knowsthat measured in years of satisfaction the best is themost economical for you, and the mo
Programme . who honor their calling, like to sell goodthings, because they know the satisfaction ofthe buyer is a personal asset for themselves. Henry F. Miller was a salesman when he started tomake pianos and he personally sold his own product—even as his sons and grandsons do to-day. Their45,000 customers are friends whose continued good-will is the best evidence of Henry F. Miller integrityand reliability. The salesman who urges you to buy a Henry Piano is doing you a friendly service; he knowsthat measured in years of satisfaction the best is themost economical for you, and the most fruitful ingoodwill for himself. He is offering you qualityand satisfaction. WAREROOMS, J^s:^>=r ~^d=£ 395 Boylston St. 479 respect for the composers of this period to realize that, with such anopportunity and with an almost unparalleled output of effort, theyhave still left very little which the world has thought it worth whileto remember for its own sake. In that they compare unfavorably withtheir English predecessors who wrote for the Church two hundred yearsbefore. Yet Mr. Dent and others (he alluded to Mr. Donald Toveysessay showing the classical concerto to be an instrumental developmentof the aria) have proved that they did make very important advancestowards establishing principles of musical form, contrast of subjects, ofkeys, the means of balancing one episode against another and develop-ing one idea out of another. While ostensibly they wrote operas theymade experiments towards the evolution of the symphony. Gluck wasan operatic Cranmer, and the famous preface to Alceste is comparableto the directions issued by that prelate in 1544 for the simpl
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
