. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . KLINGSOR HURLING THE SACRED LANCE 375 VICTROLA BOOK OF THE OPERA-WAGNERS PARSIFAL. URNEMANZ S HERMITAGE ACT 111 ACT III SCENE—A spring landscape in the grounds of Monsaloat. At the back a small hermitage Gurnemanz, now an aged man, in hermits dress but still wearing the tunic of a Knight ofthe Grail, comes out of the hut and listens. He then goes to a thicket and finds Kundryapparently lifeless, but she revives under his ministra
. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . KLINGSOR HURLING THE SACRED LANCE 375 VICTROLA BOOK OF THE OPERA-WAGNERS PARSIFAL. URNEMANZ S HERMITAGE ACT 111 ACT III SCENE—A spring landscape in the grounds of Monsaloat. At the back a small hermitage Gurnemanz, now an aged man, in hermits dress but still wearing the tunic of a Knight ofthe Grail, comes out of the hut and listens. He then goes to a thicket and finds Kundryapparently lifeless, but she revives under his ministrations. She is dressed as in Act I, andsoon arises and goes immediately, like a serving maid, to work. She enters the hut, pro-cures a water jug which she fills at the spring. Gurnemanz watches her carefully, seeing signsof a change in her. Parsifal now enters from the wood in complete armor and seats , not recognizing him, reminds him that no armed knight is allowed in the sacredpremises, and especially on this day, Good Friday. Without saying a word, Parsifal rises,removes his helmet, and kneels down in silent prayer. Gurnemanz in surprise, says softlyto Kundry : Gurnemanz: Dost know who tis? . . He who long since laid
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Keywords: ., bookcentury1900, bookdecade1910, bookidvictrol, booksubjectoperas
