The works of John Ruskin . oth are dated 1861.] 3 [Water-colours. Both are signed and dated Verona, 1869 (each 6j x 10).Ruskin mentions the drawing of the Ponte della Pietra in a letter from Verona(see Vol. XIX. p. lv.). In Ruskins Catalogue, ed. 2, No. 295 was :— Moonlight off the Needles. From sepia sketch by Turner . P. The present No. 295 was No. 74 in ed. 1. Ruskin showed the Moonlight inAriadne Florentina, § 18.] 4 [Reproduced in this edition in Fors Olavigera, Letter 45. The upper sketchis of the facade of the Upper Church at Assisi; the lower is inscribed Assisi, cell a

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The works of John Ruskin . oth are dated 1861.] 3 [Water-colours. Both are signed and dated Verona, 1869 (each 6j x 10).Ruskin mentions the drawing of the Ponte della Pietra in a letter from Verona(see Vol. XIX. p. lv.). In Ruskins Catalogue, ed. 2, No. 295 was :— Moonlight off the Needles. From sepia sketch by Turner . P. The present No. 295 was No. 74 in ed. 1. Ruskin showed the Moonlight inAriadne Florentina, § 18.] 4 [Reproduced in this edition in Fors Olavigera, Letter 45. The upper sketchis of the facade of the Upper Church at Assisi; the lower is inscribed Assisi, cell and my study. The sketches are in pencil and body-colour (6£ x 9Jeach). In Ruskins Catalogue, No. 296 was:— Evening at Annecy. Pencil study on the spot . . M.] 6 [Water-colour (4£x9) Plate XXXV. Reproduced in the Artist, July 1897.]6 [Both in water-colour (each 6| x 9|). The latter drawing is reproduced asPlate A in Vol. V.] ? [Water-colour (6£xll). Reproduced in Vol. XVI., Plate IV., p. 190.]8 [Water-colour.]. < »<,* * I

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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondo, bookyear1903