. International studio. eleer, recess, devoted exclu-sively to the Dutch mas-ters Mesdag, Kever,Bastert, Apol, etc., is,however, more impressive,in spite of the singleworks being smaller andless pretentious. AmongFrenchmen I note capricious way of resting upon such portions Signac, J. T. Raffaelli, Gaston La Touche, the subject as are particularly interesting and Cross, Vuillard, Aublet, Walter Gay (whom wehurrying over the rest, arebrought out to full advant-age. The Exhibition is thebest of its kind that I haveseen for years, and theCommittee, consisting ofthe Kunstver
. International studio. eleer, recess, devoted exclu-sively to the Dutch mas-ters Mesdag, Kever,Bastert, Apol, etc., is,however, more impressive,in spite of the singleworks being smaller andless pretentious. AmongFrenchmen I note capricious way of resting upon such portions Signac, J. T. Raffaelli, Gaston La Touche, the subject as are particularly interesting and Cross, Vuillard, Aublet, Walter Gay (whom wehurrying over the rest, arebrought out to full advant-age. The Exhibition is thebest of its kind that I haveseen for years, and theCommittee, consisting ofthe Kunstverein and anumber of representativeschosen from the variousartists societies of Dresden,are to be sincerely congrat-ulated upon their 660 pictures havebeen hung out of a totalof 2,000 submitted to thejury, it is said. It is an in-ternational affair. Austriais brilliantly represented, asmall room being devotedentirely to the fascinatingcolour illustrations by and J. Urban. Thelarge room contains much. SWEDISH APPLIED ART EXHIBITION, STOCKHOLM : THE YELLOW COURT. FERDINAND BOBERG, ARCHITECT. WALL DECORATION BY C. J. STENBERG. VASES DESIGNED BY F. BOBERG, EXECUTFD BY J. RINGBERG {See Stockholm Studio- Talk, page J24) studio- Talk may call a Parisian at least if not a Frenchman);among British artists Th. Shoard, J. R. Reid, J. , R. W. Allan, D. Y. Cameron, MissJessie King, etc. Maurice Boutet de Monvel hassent only one small picture, but it is one of thebest things in the Exhibition ; the same holds true—it goes without saying—of the four wonderfullittle paintings F. Khnopff has contributed; and Imust not forget to mention Carl Larsson. All the many schools of Germany are representedpretty well, above all the Dresden artists, as wasto be expected. Otto Fischer, A. Fischer-Gurig,G. Kuehl, E. Hauptmann, F. Beckert, J. Ufer,are a few of the names selected at random, whichshow how well our local artists are able to holdtheir own in the general race. T
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