Johanna en de joodse kooplieden, SK-A-4209 The "Spindle Penning" scene from the third, fifth stage, from the play by Thomas Asselijn Johanna's central vision is discovered by her husband Gerard and her father Augustine, who as Polish Jewish merchants have dressed (Asselijn used in his text for them the derogatory term 'smousen). Johanna is in a room with a ceiling painting at a table filled with all sorts of curios, Chinese porcelain, sculptures and textile rollers. On the chair to the left is a ring-tailed lemur, a cat is on the right under the cabinet weggekropen. Manufacturer : painter: Co
Johanna en de joodse kooplieden, SK-A-4209 The "Spindle Penning" scene from the third, fifth stage, from the play by Thomas Asselijn Johanna's central vision is discovered by her husband Gerard and her father Augustine, who as Polish Jewish merchants have dressed (Asselijn used in his text for them the derogatory term 'smousen). Johanna is in a room with a ceiling painting at a table filled with all sorts of curios, Chinese porcelain, sculptures and textile rollers. On the chair to the left is a ring-tailed lemur, a cat is on the right under the cabinet weggekropen. Manufacturer : painter: Cornelis Troost (personal handy signed) Date: 1741 Physical characteristics: oil on panel material: panel oil Dimensions: h cm. B × 86 cm. Subject: comedycollecting (leisure time activity) squandering, Extravagance, prodigality, Waste; "Prodigalità '(Ripa) (+' exemplum 'representation of Exemplary (historical) event) decorations (interior of the house) coinanti-semitism
Size: 1773px × 1409px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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