sign painter artist art painting paint drawing easel canvas portrait man standing talking business Jean-Louis-Ernest Meissonier


Jean-Louis-Ernest Meissonier 1815-1891 French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Ernest Meissonier was born at Lyon. From his schooldays he showed a taste for painting, to which some early sketches, dated 1823, bear witness. After being placed with a druggist, he obtained leave from his parents to become an artist, and, owing to the recommendation of a painter named Potier, himself a second class Prix de Rome, he was admitted to Léon Cogniet's studio. He paid short visits to Rome and to Switzerland, and exhibited in the Salon of 1831 a painting then called Les Bourgeois Flamands (Dutch Burghers), but also known as The Visit to the Burgomaster, subsequently purchased by Sir Richard Wallace, in whose collection (at Hertford House, London) it is, with fifteen other examples of this painter. It was the first attempt in France in the particular genre which was destined to make Meissonier famous: microscopic painting miniature in oils. Working hard for daily bread at illustrations for the publishers Curmer, Hetzel and Dubocherhe, Meissonier also exhibited at the Salon of 1836 with Chess Player and the Errand Boy. After some not very happy attempts at religious painting, he returned, under the influence of Chenavard, to the class of work he was born to excel in, and exhibited with much success the Game of Chess (1841), the Young Man playing the 'Cello (1842), Painter in his Studio (1843), The Guard Room, the Young Man looking at Drawings, the Game of Piquet (1845), and the Game of Bowls, works which show the finish and certainty of his technique, and assured his success. 1814. Campagne de France (Napoleon and his staff returning from Soissons after the Battle of Laon), 1864After his Soldiers (1848) he began A Day in June, which was never finished, and exhibited A Smoker (1849) and Bravos (Les Bravi, 1852).


Size: 3647px × 5119px
Photo credit: © 19th era / Alamy / Afripics
License: Licensed
Model Released: No

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