. Programme. elodic design, nor any carefully woven har-monic web. The composer of Images attaches importance only totonal color. He puts his timbres side by side, adopting a processlike that of the Tachistes or the Stipplers in distributing Debussyites and Pelleastres wished Iberia repeated, but,while the majority of the audience was willing to applaud, it didnot long for a repetition. Repeated the next Sunday, Iberiaaroused frenetic applause and vehement protestations. The first performance in the United States was by the Phil-harmonic Society of New York, conducted by Gustav Ma
. Programme. elodic design, nor any carefully woven har-monic web. The composer of Images attaches importance only totonal color. He puts his timbres side by side, adopting a processlike that of the Tachistes or the Stipplers in distributing Debussyites and Pelleastres wished Iberia repeated, but,while the majority of the audience was willing to applaud, it didnot long for a repetition. Repeated the next Sunday, Iberiaaroused frenetic applause and vehement protestations. The first performance in the United States was by the Phil-harmonic Society of New York, conducted by Gustav Mahler, onJanuary 3, 1911. The first performance in Boston was at a concert of the BostonSymphony Orchestra, April 22, 1911. There was a second on De-cember 23, 1911; a third on April 3, 1915; a fourth on April 13, 1917;a fifth on October 25, 1918. Iberia is scored for these instruments: piccolo, three flutes (oneinterchangeable with a second piccolo), two oboes, English horn, AMERICAS FOREMOST FLORIST eSTABLlS. LOWERS BOSTON1 PARK STREET AND 549 BOYLSTON STREET COPLEY SQUARE NEW YORK561 FIFTH AVENUE AT 46th STREET
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
