Enigmes Joyeuses pour les Bons Esprits, Plate 4 ca. 1615 Jan van Haelbeeck Fourth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, dressed with hat, jacket and boots, and wearing an apron tied around his waist, which holds a small knife, pushes a barrel inside a room with a door. Other bar
Enigmes Joyeuses pour les Bons Esprits, Plate 4 ca. 1615 Jan van Haelbeeck Fourth plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a working-class man, dressed with hat, jacket and boots, and wearing an apron tied around his waist, which holds a small knife, pushes a barrel inside a room with a door. Other barrels are lined up behind his back, on a path outlined by buildings, and a small picture of the virgin and child hangs from a bar attached to the walls of the room where the barrels are stored. The plate accompanies the fourth sonnet of the Enigmes, which describes the activities of the man subject of the picture, hinting to another, slightly more erotic meaning. This double meaning of the images and sonnets of the Enigmes helps explain why most copies of the series, although very popular and influential in their day, have been Enigmes Joyeuses pour les Bons Esprits, Plate 4. Jan van Haelbeeck (Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630). ca. 1615. Copper engraving. Prints
Size: 2053px × 1636px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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