L’Escalier de Cristal (Manufacturer). Wall Clock. 1875–1885. France. Bronze, gilt bronze, and cloisonné enamel This bronze and enamel clock originally came to New York in about 1880 shortly after it had been made in Paris by the firm L’Escalier de Cristal (The Crystal Staircase). It had been acquired for the richest man in America, the railroad magnate William H. Vanderbilt, whose wealth was then estimated at $200 million (about $40 billion in today’s money), and whose lavish mansion was then under construction at 640 Fifth Avenue. Most of the furnishings for the Vanderbilt home were made by H

L’Escalier de Cristal (Manufacturer). Wall Clock. 1875–1885. France. Bronze, gilt bronze, and cloisonné enamel This bronze and enamel clock originally came to New York in about 1880 shortly after it had been made in Paris by the firm L’Escalier de Cristal (The Crystal Staircase). It had been acquired for the richest man in America, the railroad magnate William H. Vanderbilt, whose wealth was then estimated at $200 million (about $40 billion in today’s money), and whose lavish mansion was then under construction at 640 Fifth Avenue. Most of the furnishings for the Vanderbilt home were made by Herter Brothers, America’s leading interior decorators, but selected works of art, including this clock, were imported from abroad. Vanderbilt only got to enjoy his opulent home for three years before his death in clock was a central adornment for the Japanese Parlor, one of the most elaborate and exotic interiors made by Herter Brothers. The room deliberately contrasted with the rest of the interiors, which were firmly rooted in European historical styles. Although dubbed a “Japanese” clock, many of the decorations are actually interpretations of Chinese motifs the dragons in bronze and cloisonné (inlaid enamel) are traditional Chinese symbols of good fortune, and the numbers on the clock face are Chinese.

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