Analysis of the evolution of musical forms . ^-^::£:£g^ Section J.—Vocal Harmony on Three, Four, or more Bass-Notes. Spain. Je jff-.:- ^ J 1 1 n England. Round. J Burner is icumen in. Four Voices with Two-part * This passage is a doubling of the second part in the octave, and not a HarmonicBass. f In MS. de Montpelier (12th or 13th century), deciphered by Coussemaker. :J: From Harl. MS. 978, in British Museum; written by John Fornsete, a monk ofReading, 1228. APPENDIX 285 Harmony of Round with addition of Burden. Bass on three notes. ^^^m^^^^^m Pa or Burden. =»==|!t isiE: i
Analysis of the evolution of musical forms . ^-^::£:£g^ Section J.—Vocal Harmony on Three, Four, or more Bass-Notes. Spain. Je jff-.:- ^ J 1 1 n England. Round. J Burner is icumen in. Four Voices with Two-part * This passage is a doubling of the second part in the octave, and not a HarmonicBass. f In MS. de Montpelier (12th or 13th century), deciphered by Coussemaker. :J: From Harl. MS. 978, in British Museum; written by John Fornsete, a monk ofReading, 1228. APPENDIX 285 Harmony of Round with addition of Burden. Bass on three notes. ^^^m^^^^^m Pa or Burden. =»==|!t isiE: i England. Round (Four Voices). ^^ ^ 1 irz=m w—r—1»- ^-. =*?={= Jack boy, ho boy, news! The cat is in the •well, Let us now Harmony. J—J^- :or her knell; Ding dong, ding dong bell. \ I* i krztc England. Sailors Song. Capstan Shanty, Haul on the bowlin. Allamarcia. L. A. SMITH. ^> ! N fe- Chorus. England.* Three-mens Song (in print, 1609).
Size: 2410px × 1037px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectmusicalmeterandrhyth
