Outing . together with the Darkey, theClown and the Ghost. By no means sacri-fice the Devil to outside opinion; his over-throw quite puts the finishing touch uponthe production. In this connection Pol-lock tells the following amusing in the course of his wanderings towatch the efforts of a puppet-showman, ina rural English town, he was horrified tosee a vile caricature of an alligator takethe place of the enemy of mankind inthe closing scenes. Lingering about until the puppet Devil, rechristened as theBogey-man, has filled the role of,his hornedrelative and received the same effe
Outing . together with the Darkey, theClown and the Ghost. By no means sacri-fice the Devil to outside opinion; his over-throw quite puts the finishing touch uponthe production. In this connection Pol-lock tells the following amusing in the course of his wanderings towatch the efforts of a puppet-showman, ina rural English town, he was horrified tosee a vile caricature of an alligator takethe place of the enemy of mankind inthe closing scenes. Lingering about until the puppet Devil, rechristened as theBogey-man, has filled the role of,his hornedrelative and received the same effectualtreatment. Perhaps the opportunity for individualsuperiority in giving Punch and Judy atelling production lies nowhere moreforcibly than in the simulation of thevarious voices of the actors. Lively mo-tion, intelligible gestures, and humorousantics in general must, of course, be im-parted to the figures, but the atmos-phere of illusion is most enhanced by com-plete change of voice in the case of each. Before the rise of the curtain. Behind the scenes.
Size: 1923px × 1300px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade, booksubjectsports, booksubjecttravel
