The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (2 7/16 x 4 in.). Khujasta stands in front of a porch with a blue arabesque carpet and footed bed. The empty bed speaks to her loneliness and longing for a lover. She is dressed as an Indian woman, with backless blouse, orange wrapped skirt, and a long sash. The pompom fringe of her translucent, muslin stole stands out in
The Parrot Addresses Khujasta at the Beginning of the Twenty-fifth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (2 7/16 x 4 in.). Khujasta stands in front of a porch with a blue arabesque carpet and footed bed. The empty bed speaks to her loneliness and longing for a lover. She is dressed as an Indian woman, with backless blouse, orange wrapped skirt, and a long sash. The pompom fringe of her translucent, muslin stole stands out in a vertical row.
Size: 2173px × 3400px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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