. The silver sunbeam : a practical and theoretical text-book on sun drawing and photographic printing. e the place on some other day. Pickout your standpoints ; look out for what will make goodstereoscopic views, and what will make good eight by ten orlarger size. Mark down the time of day the light is mostsuitable. In this way you can start in the morning withyour things, keeping the sun three-quarters on your work,and follow him all day—except for strong cloud or moonlighteffects ; for these you will require a box with a lid over thelenses, and will have to work directly toward the sun. Watc


. The silver sunbeam : a practical and theoretical text-book on sun drawing and photographic printing. e the place on some other day. Pickout your standpoints ; look out for what will make goodstereoscopic views, and what will make good eight by ten orlarger size. Mark down the time of day the light is mostsuitable. In this way you can start in the morning withyour things, keeping the sun three-quarters on your work,and follow him all day—except for strong cloud or moonlighteffects ; for these you will require a box with a lid over thelenses, and will have to work directly toward the sun. Watch until the sun is cappedon the edge by a cloud,then expose two orthree seconds. For theclouds, close the lid halfdown and keep movingit slightly up and downbetween the horizonand foreground. Fordetail in the picture, asa general thing, thisclass of views is morefor cloud effects than apicture full of detailsand half latest mode of working is now to give a good expos-ure for detail, and in developing get out all you can ; butdo not over expose or develop, so as to have a flat or fogged.


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