Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ^^8 aFf? IV. z 1 + 2 1 + 2 1 + 2 „ 1 +. (3.) All Hie rules respecting-the Thumb and little fing-er in passag-e (2) equally ap_ply here: in both passag-es we must carefully avoid any drawing* back, or vibratorymotion of the elbows. (4.) This passag-e contains numerous repetitions of the Grace called a Turn, in aconnected series, that the pupil may from the b
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ^^8 aFf? IV. z 1 + 2 1 + 2 1 + 2 „ 1 +. (3.) All Hie rules respecting-the Thumb and little fing-er in passag-e (2) equally ap_ply here: in both passag-es we must carefully avoid any drawing* back, or vibratorymotion of the elbows. (4.) This passag-e contains numerous repetitions of the Grace called a Turn, in aconnected series, that the pupil may from the beg-inning-, acquire an even anddis_tinct style of performing- it. The same tranquil position of the thumb and 3 middle fing-ers must be maintain,ed, as in (2&3.) All the notes must be played equally quick, equally loud, andbe equal in respect of duration. In this Exercise the 2* is particularly active, and we must take care tolift it up in proper time, to strike with it ag-ain distinctly after the 3- fing-er;and ag-ain subsequently, so as to make room for the thumb on the same key. 3192 mjutim^ JV°? V. 1 + 1 + 1 +
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
