Man Strolling with a Boy Carrying Flowering Branch, c. 1810. A young man strolls in front of a boy carrying flowering plum branches, perhaps symbolic of spring. The colours and patterns in the boy’s clothing, along with the plum branches at the edge of the painting, introduce an element of movement and surprise. This image is similar to the composition of Courtesans and Attendants by Engetsudo (see ). The poem inscribed at the top reads: The full blooming cherry is not the only flower worth mentioning. The colour of the young plum tree blooms as well. The Japanese word for colou
Man Strolling with a Boy Carrying Flowering Branch, c. 1810. A young man strolls in front of a boy carrying flowering plum branches, perhaps symbolic of spring. The colours and patterns in the boy’s clothing, along with the plum branches at the edge of the painting, introduce an element of movement and surprise. This image is similar to the composition of Courtesans and Attendants by Engetsudo (see ). The poem inscribed at the top reads: The full blooming cherry is not the only flower worth mentioning. The colour of the young plum tree blooms as well. The Japanese word for colour, iro, is a double entendre for love or sex. The full blooming cherry refers to the mature female courtesans of the Yoshiwara district of Edo (Tokyo), while the young plum refers to handsome young men, who the poet suggests one not overlook in the pursuit of pleasure. Kitagawa Fujimaro was a disciple of renowned painter and print designer Kitagawa Utamaro (1753?-1806).
Size: 2244px × 6530px
Photo credit: © Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: 1615-1868, 1790-1850, art, cleveland, colour, edo, fujimaro, hanging, heritage, ink, japan, japanese, kitagawa, museum, painting, period, scroll, silk
