A history of French architecture from the death of Mazarin till the death of Louis XV, 1661-1774 . the imagination, like the superbsweep of the balustrade round the attic storey of the dome of S. Pauls,and the beautiful treatment of the columns round the drum. The valuegiven to the shadows of the three open intercolumniations by the solidmass of every fourth bay, is typical of the inspiration that makesS. Pauls one of the supreme architectural achievements in the world. On the top of his dome Mansart placed a remarkable lanternsurmounted by an obelisk, and he made the outline worse by an over-
A history of French architecture from the death of Mazarin till the death of Louis XV, 1661-1774 . the imagination, like the superbsweep of the balustrade round the attic storey of the dome of S. Pauls,and the beautiful treatment of the columns round the drum. The valuegiven to the shadows of the three open intercolumniations by the solidmass of every fourth bay, is typical of the inspiration that makesS. Pauls one of the supreme architectural achievements in the world. On the top of his dome Mansart placed a remarkable lanternsurmounted by an obelisk, and he made the outline worse by an over-hanging balcony which disconnected the dome and its first idea had lost itself in details; moreover, Mansart was immersedin business and ever deepening intrigues, and must have left the workalmost entirely to his subordinates. In 1685 Mansart, whose salarywas 10,000 francs per annum, had as his draughtsmen Cauchy, Davilerand Pierre Cailleteau dit LAssurance, all found for him by the State The Academy of Architecture had, however, expHcitly condemned this practice. Il,. LXXXI. church ok the dome, les invalides—elevation. j. h. mansart (p. 2o6)(from description gknerale) [l. TO FACE r. 206 £rlan aaieralda rfx, de chaussce Jc toiu Us X Coeur ct mai^tre autflpoIcj a, ^ Chaf>iiellej ijuicroirent te ifoim^ Gi-aJc^ ckiifpelJcJ aujc 4 cym^dud^mt^ X^ortttej-tn haut fttrIci/. !4iIUJ^for*ne. dcr conthlcf 7 Za ? ^ucrurtif 8 l£^lut (// la inauort a Baj ccftc-j-dc la Jmc F^ifh-re xo Ddiiie luiie ou sont ehajpclL^deJ boj ccjttx. dt 111 dittc E^Lseu Xa portidc lE^U^e de la m/zuoKIX Grandfierronjuportotlde ISaUfe da/t-f Li courl^ La coitr ^ m^yicnne^ cotirji^ CorrtdcrdeJ Chwlnmigiu qiu rtane/il par [cutt6 LeJ re0ectou-:tdcf .^ L(j r:toir^dej cffiiufjS ilundf-J cui^uicfde^ o^cuivet /old-iQ L uuoiJ-j dcirtcr le^ duuj ciusuie^?XO Dip-encej^ ou Ion f<i:oU Lt unuuUI du
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectarchitecture, bookyea
