. Silverwork and jewelery; a text-book for students and workers in metal, by H. Wilson. mmm Fig. 137. Enamel are completely full lay the work on theWork table, with the enamel upward, and givethe bronze a few sharp blows, and theenamel will be released, and can bepolished with emery and water, crocusand water, and finished with rouge on abuff. If you have no aluminum bronze orplatinum use a sheet of copper about size5, and when the enamel is complete paintthe face over with two or three coats ofvarnish to protect the cloisons if they areof silver; if they are of gold no protectionis necessary.
. Silverwork and jewelery; a text-book for students and workers in metal, by H. Wilson. mmm Fig. 137. Enamel are completely full lay the work on theWork table, with the enamel upward, and givethe bronze a few sharp blows, and theenamel will be released, and can bepolished with emery and water, crocusand water, and finished with rouge on abuff. If you have no aluminum bronze orplatinum use a sheet of copper about size5, and when the enamel is complete paintthe face over with two or three coats ofvarnish to protect the cloisons if they areof silver; if they are of gold no protectionis necessary. Place the whole in sulfuricacid and water—one part of the acid to oneof water. The copper will be dissolvedaway, and when it is as thin as thin paper,can be peeled off. The enamel may thenbe polished as before described. If theopenings in the network are small enough,/. e. about ^th of an inch across, theabove methods can be dispensed the network panel upright, and fillin the spaces with enamel mixed with avery little gum tragacanth. When done,fix it upright on a suppor
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectsilverw, bookyear1903
