Lessons in expression and physical drill . quires free Full- THE ARM. 97 arm gestures. (See Figs. 16, 17, 20, 21.) TheLarger the audience and the greater the theme, the fullerthe sweep of the arm in gesture. Two extremes must be avoided—the cramping ofthe arm that makes it angular, and the extension of thearm that makes it appear stretched. 222. Conversational practice—Fore Arm: Hamlet. Will you play uponthis pipe? Guildenstern. My lord. I can-not. Ham. I pray you. Quit. Believe mo. I cannot. Ham. I do beseech you. Guil. I have no touch of it,my lord. Ham: Tis as easy as these ven
Lessons in expression and physical drill . quires free Full- THE ARM. 97 arm gestures. (See Figs. 16, 17, 20, 21.) TheLarger the audience and the greater the theme, the fullerthe sweep of the arm in gesture. Two extremes must be avoided—the cramping ofthe arm that makes it angular, and the extension of thearm that makes it appear stretched. 222. Conversational practice—Fore Arm: Hamlet. Will you play uponthis pipe? Guildenstern. My lord. I can-not. Ham. I pray you. Quit. Believe mo. I cannot. Ham. I do beseech you. Guil. I have no touch of it,my lord. Ham: Tis as easy as these ventages with yourfingers and thumb, give it breathwith your mouth, and it willdiscourse most eloquent music.—Shakespeare. 223- Oratorical—Full 19. Forearm Gesture. My manors, bowers and halls, shall still Rt. V. Hor. Sup. Rt. Ob. Hor. Sup. Rt. Hor. Lat. Sup. Both Lat. Be open at my sovereigns will— Low. Sup. My castles are my kings alone, Rt. F. Hor. Sup. From turret to foundation stone. Rt. U. Ob. Ind. Rt. Lower Ob, —Scott. 224. Repeat Article 216. Suggestive questions: Would it be advantageous touse a gesture on any of the exercises of Art. 220? If 98 STUDIES ix action; vocal exercises. so, should it be forearm or full-arm gesture? Shouldthe gestures in Art. 222 be on the more emphatic or lessemphatic portion? Which requires the lower positionof Supine hand, inviting or protesting? Would youuse any imitative gesture on the last sentence of Can you make the transition smoothly from onegesture to another in Art. 223? POSITIONS OF THE FEET. 99 LESSON XXXII. AN EXERCISE IN COMMAND. POSITIONS OFTHE FEET. 225- Repeat Article 220. 226. Practice on:— Forward, the Light Brigade!Charge fbr the guns! Orotund Quality:— a. Subdued Force. b. Moderate Force. c. Energetic Force. d. Impassioned Force. e. Rapid Movement. f. Moderate Movement. g. Slow Movement. Which Force and Movement best represent the com-mand to an army? 227. The feet of a speaker shoul
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