. International studio. FIGURE STUDYBY OSSIP L. L1XDE. FIGUREiSTUDYBY OSSIP L. LINDE Ossip Linde - 9 J^^ MM I <i ., pt^ SJSilgH; •^^^a* A CONNECTICUT LANDSCAPE BY OSSIP LINDE trations demonstrate his abilities in the differentdirections taken. The painting of Bruges is dis-tinctly topographical. The first question arousedis. Where is that place, surely I have been there!The landscape is very directly painted and has auniversal appeal quite apart from locality. Wesee the artist dominated by the mood and in-terpreting it with vigorous strokes. All his paintings reveal Linde as a real colouris
. International studio. FIGURE STUDYBY OSSIP L. L1XDE. FIGUREiSTUDYBY OSSIP L. LINDE Ossip Linde - 9 J^^ MM I <i ., pt^ SJSilgH; •^^^a* A CONNECTICUT LANDSCAPE BY OSSIP LINDE trations demonstrate his abilities in the differentdirections taken. The painting of Bruges is dis-tinctly topographical. The first question arousedis. Where is that place, surely I have been there!The landscape is very directly painted and has auniversal appeal quite apart from locality. Wesee the artist dominated by the mood and in-terpreting it with vigorous strokes. All his paintings reveal Linde as a real colourist,one who revels in luscious pigment but alwayswith judgment and restraint. Quite a modernistin his outlook and technical methods, his visionrenders unconscious homage to the great paintersof the past, Venetians and Flemings alike, towhose warning whispers he lends obedient has a jewel-like quality in his palette andis particularly successful with his foregrounds, andhe carries his colour well into the rich shadowswithout robbing them of
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
