Waxwings, Cherry Blossoms, and Bamboo late 17th century Kiyohara Yukinobu Japanese Kiyohara Yukinobu was known in the early Edo period as a “woman highly accomplished in the arts,” or keish?. Her husband was a pupil of Kano Tan’y?, one of the most prominent painters of the age, and she herself, as Tan’y?’s grandniece, may have studied with him. Here, she depicts three waxwings (Japanese: hirenjaku) in various poses: one rests serenely on the branch of an aged cherry tree in full bloom, indicating a late spring setting; one is captured in flight; and the third perches on a rock, espying insect

Waxwings, Cherry Blossoms, and Bamboo late 17th century Kiyohara Yukinobu Japanese Kiyohara Yukinobu was known in the early Edo period as a “woman highly accomplished in the arts,” or keish?. Her husband was a pupil of Kano Tan’y?, one of the most prominent painters of the age, and she herself, as Tan’y?’s grandniece, may have studied with him. Here, she depicts three waxwings (Japanese: hirenjaku) in various poses: one rests serenely on the branch of an aged cherry tree in full bloom, indicating a late spring setting; one is captured in flight; and the third perches on a rock, espying insect prey in a stream. Since waxwings, after mating, rub their heads together in a way that suggests a display of mutual affection, they came to be a symbol of marital harmony and familial prosperity, which is one possible interpretation of the Waxwings, Cherry Blossoms, and Bamboo. Kiyohara Yukinobu (Japanese, 1643–1682). Japan. late 17th century. Hanging scroll; ink and color on silk. Edo period (1615–1868). Paintings

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