Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . DIETZ, Miss ELLA. This lady has contributed several pictures. 5 and 8 arestudies of Flowers, not without merit. 73, A Moonlight. Study on the Hudson, and 125, The Afterglow, are so care-fully treated in the colouring that one wishes the artisthad worked on larger canvas. They give promise of greatpower. There is a life study of a Bacchante, 114, which, 13 though crude, is of some interest. * Miss Dietz is an Ameri-can by birth, but as an actress she is chiefly known on thisside of the , RICHARD. There
Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . DIETZ, Miss ELLA. This lady has contributed several pictures. 5 and 8 arestudies of Flowers, not without merit. 73, A Moonlight. Study on the Hudson, and 125, The Afterglow, are so care-fully treated in the colouring that one wishes the artisthad worked on larger canvas. They give promise of greatpower. There is a life study of a Bacchante, 114, which, 13 though crude, is of some interest. * Miss Dietz is an Ameri-can by birth, but as an actress she is chiefly known on thisside of the , RICHARD. There is no better example of painstaking work in theexhibition than that to which Mr. Douglas treats us inAn Old Landmark, nS, a study of forest trees. The colour-ing is good, and the difficulties of light and shade, anddistance, have been most effectually overcome. The pic-ture is somewhat after the Belgian or French school.
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Keywords: ., bookcentury1800, bookdecade1880, booki, booksubjectdrawingbritish
