. Orchestration . PPPPPP is usually transferred to the Bass-Clarinet thus: Ritardando molto Clarinet in A. Bass-Clarinet[in BU]. with general advantage to the composer, the player, and the actual sounds of course remain the same. As an example of thispower of pianissimo carried down to its lowest register the studentshould refer to the Solo extract already printed from HolbrookesApollo and the Seaman (Ex. 96). No. 41. The Eb-Clarinet. This instrument, which is regularly used in our military bands tobrighten and strengthen the top octave, is occasionally heard in theconcert-room. I
. Orchestration . PPPPPP is usually transferred to the Bass-Clarinet thus: Ritardando molto Clarinet in A. Bass-Clarinet[in BU]. with general advantage to the composer, the player, and the actual sounds of course remain the same. As an example of thispower of pianissimo carried down to its lowest register the studentshould refer to the Solo extract already printed from HolbrookesApollo and the Seaman (Ex. 96). No. 41. The Eb-Clarinet. This instrument, which is regularly used in our military bands tobrighten and strengthen the top octave, is occasionally heard in theconcert-room. In pitch it is a perfect fourth above the standard Bb- THE BASS-CLARINET. THE E?-CLARINET 279 instrument. Its transposition is therefore the same as that of theEb-Trumpet, viz. a minor third upwards. For instance: EXAMPLE 195. Berlioz. Symphonic Fantaatique. sU & Clarinet in Ek (actualsounds.)
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