Embleem met mannen die hun toevlucht nemen tot het christelijke geloof en zich afkeren van zonde, de duivel en de dood Den wech des eeuwich levens (serietitel) Men turn to the crucified Christ with Mary praying. They turn their backs on life in sin, temptations of the devil and the danger of death. Instead, they live a godly life in gebed. Manufacturer : printmaker: Boëtius Adamsz. Bolswertnaar own design: Boëtius Adamsz. Bolswertuitgever: Hendrik Aertssens Place manufacture: print maker: The Netherlands Publisher: Antwerpen Date: 1620 Physical characteristics: engra material: paper Technique:

Embleem met mannen die hun toevlucht nemen tot het christelijke geloof en zich afkeren van zonde, de duivel en de dood Den wech des eeuwich levens (serietitel) Men turn to the crucified Christ with Mary praying. They turn their backs on life in sin, temptations of the devil and the danger of death. Instead, they live a godly life in gebed. Manufacturer : printmaker: Boëtius Adamsz. Bolswertnaar own design: Boëtius Adamsz. Bolswertuitgever: Hendrik Aertssens Place manufacture: print maker: The Netherlands Publisher: Antwerpen Date: 1620 Physical characteristics: engra material: paper Technique: engra (printing process) Measurements: plate edge: H 138 mm × b 96 mmToelichtingPrent of: Antoine Sucquet, The wech des eeuwich life, described int latin: with images illuminated by a Boëtius Bols Vert, Antwerp, Hendrick Aertssens, 1620, fig. opposite p. 216 Subject: man between Good and Evil Specific types of crucified Christ (in non-narrative context) devils in Purely fantasy shape vice, Evil, Sin; "Peccato '(Ripa) (personifications of)' Vanitas', the vanity of human life; FragilitÃ humana, FugacitÃ delle grandezze & della gloria Mondana, Meditatione della morte, Opera vana, Piacere vano, Vana gloria, Vanita (Ripa) (private) prayer; 'Oratione', 'Preghiere', 'Preghiere a Dio' (RIPA) devotion, piety; 'Divotione' (RIPA) Death shaft skeleton

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