International studio . LENFANT A LA BONBONNEOIL PAINTING it PILAOE BERTIERI The /\aII fillers of Pi lade Pcrticri. HORIKAIT OK MISS liE hV IllAOE IIKRTlEkl But if his method is elaborate its results do notseem laborious. In suih paintings, for instance,as his Knfaiil ti la Bon/oniif, his Le Japoitais it laUiiitart, and his delightfully vivacious portrait studyThe Iur Toi/iid, the first imjiression received is oneot spontaneity and unconventional freedom ; it isonly when they are examined detail by detail thatthe strenuous elTort which has been applied in themaking of them becomes percept
International studio . LENFANT A LA BONBONNEOIL PAINTING it PILAOE BERTIERI The /\aII fillers of Pi lade Pcrticri. HORIKAIT OK MISS liE hV IllAOE IIKRTlEkl But if his method is elaborate its results do notseem laborious. In suih paintings, for instance,as his Knfaiil ti la Bon/oniif, his Le Japoitais it laUiiitart, and his delightfully vivacious portrait studyThe Iur Toi/iid, the first imjiression received is oneot spontaneity and unconventional freedom ; it isonly when they are examined detail by detail thatthe strenuous elTort which has been applied in themaking of them becomes perceptible. Bui if theyare studied, as they should be, with respect for theartists intentions, it will be easily seen that finish-in the right sense of the word is their dominantcharacteristic, and that there is not a touch in themthat has not been thought out beforehand andapplied with the most scrupulous care. This,indeed, is the triumph of Mr. Bertieris practice,that despite all its sustained labour and scholarlyresearch it is never |>cdantic and never wantingin freshness—not often is the art of romealingth
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
