. Studio international . lor it is a sign-manual of all his work :being inherent, it does noi express itself by conventional treatment or arrangement. In many ofhis earlier pictures the skies are lacking in atmos-pheric qualities: a sacrifice, an unconscious decorative instinct. His intelligence, robustand apprehensive, is particularly susceptible toeffects of colour and light, of which it is perpetuallyseeking new arrangements and liner qualities. Hiscoloration is spontaneous, rich and varied, with ato . xaggeration. His brushwork is virile, flowing direct with thegusto of the born pai
. Studio international . lor it is a sign-manual of all his work :being inherent, it does noi express itself by conventional treatment or arrangement. In many ofhis earlier pictures the skies are lacking in atmos-pheric qualities: a sacrifice, an unconscious decorative instinct. His intelligence, robustand apprehensive, is particularly susceptible toeffects of colour and light, of which it is perpetuallyseeking new arrangements and liner qualities. Hiscoloration is spontaneous, rich and varied, with ato . xaggeration. His brushwork is virile, flowing direct with thegusto of the born painter. At one time he foundinspiration in landscape of a panoramic inclination,and one of these paintings- -a good example is illthe fine collection of Mr. James Ferguson. It is a? Mont, a village mar l-ontaiticblcau. Thevillage is seen from a height ; a river the its way into the picture. A line of trees. disposed horizontallj across tin- foreground, formsa basis and lends a certain dignitv to the Alexander Jamieson
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Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
