The Baptist Hans Gag, Antwerp, interrogated and later burned, 1572. The prisoner standing in front of a woman on a troon. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state by way of illustration for: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 93. The prints are origin
The Baptist Hans Gag, Antwerp, interrogated and later burned, 1572. The prisoner standing in front of a woman on a troon. Manufacturer : print maker: Zwaansvliet to design: Zwaansvliet Place manufacture: Northern Netherlands Date: 1683 - 1685 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 115 mm × W 143 mmToelichtingDe prints used in this second state by way of illustration for: Theater des martyrs depuis la mort present the jusqu'à J. Christ (...). = Schau stage means of the Martyrer, P. van der Aa, Leiden ca. 1715, No. 93. The prints are originally made for first time and used in:. of Bragt, the bloody scene, or Martelaers mirror of baptism-gesinde or loose again Christians 1685. Subject: persecution of heretics when reformation: 1572 - 1572
Size: 1729px × 1446px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
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