Grand opera in America . MADAME MALIBRAN. Grand Opera in America ByHenry C. Lahee ILLUSTRATED. Boston L. C. Page £5? Company Publishers Copyright) igoiBy L. C. Page and Company (incorporated) All rights reserved Third Impression, April, 1908Fourth Impression, April, 1910 Colonial tyxtss Electrotyped and Printed by C. H. Simonds & Co. Boston, U S. A. HAROLD B. ! rr , ,DpA BRIGHAMY/-N-- ,, ARVorLL v: ^VERSITV PREFACE. In making this sketch of the progress ofopera in America, the writer has endeavouredto get in touch with the most interestingcharacters, — managers, conductors,
Grand opera in America . MADAME MALIBRAN. Grand Opera in America ByHenry C. Lahee ILLUSTRATED. Boston L. C. Page £5? Company Publishers Copyright) igoiBy L. C. Page and Company (incorporated) All rights reserved Third Impression, April, 1908Fourth Impression, April, 1910 Colonial tyxtss Electrotyped and Printed by C. H. Simonds & Co. Boston, U S. A. HAROLD B. ! rr , ,DpA BRIGHAMY/-N-- ,, ARVorLL v: ^VERSITV PREFACE. In making this sketch of the progress ofopera in America, the writer has endeavouredto get in touch with the most interestingcharacters, — managers, conductors, as wellas singers, who were instrumental in cultivat-ing the public taste for opera. In the early days many of the most inter-esting singers were not artists of world-widecelebrity, but they played a most importantpart in the history of opera in America. From about 1870 most of the greatest sing-ers who appeared in this country have beenmentioned in Famous Singers/ and in thisvolume reference to them is confined to theirdoings in America. New York has always been the headquar-ters o
Size: 1430px × 1746px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectopera, bookyear1901
