Brooklyn Museum Quarterly . cities engraved on some of the plates,we are able to trace his footsteps about as follows: He wasat work in New York City in 1796-1798 and we have two ad-dresses,—11 Fair St. and 27 Pine St. A few portraits weredrawn in Burlington, New Jersey; he was in Philadelphiafrom 1798 to 1803; and the address—32 South 3rd St., isengraved under the portrait of INIrs. John Cunnyngham; hewas in Baltimore in 1804; in Washing-ton, Alexandria,Georgetown and Annapolis in the years 180,5-7; in Rich-mond, Norfolk and other parts of Virginia in 1808; in 1809in Charleston and other part
Brooklyn Museum Quarterly . cities engraved on some of the plates,we are able to trace his footsteps about as follows: He wasat work in New York City in 1796-1798 and we have two ad-dresses,—11 Fair St. and 27 Pine St. A few portraits weredrawn in Burlington, New Jersey; he was in Philadelphiafrom 1798 to 1803; and the address—32 South 3rd St., isengraved under the portrait of INIrs. John Cunnyngham; hewas in Baltimore in 1804; in Washing-ton, Alexandria,Georgetown and Annapolis in the years 180,5-7; in Rich-mond, Norfolk and other parts of Virginia in 1808; in 1809in Charleston and other parts of South Carolina; in 1810again in New York, and then, Guignard tells us he returnedto France and remained until some time in the year 1812. On a few of the early plates we find that a compatriotde Valdenuit appears as a joint engraver,—thus, under theengraving of Theodosia Burr are the words, St. INIemin &Valdenuit No. 11 Fair St., N. York. •Tlie Life and Works of Gilbert Stuart, bv George , p. 100. 18. TIMOTHY PICKERINGFrom the original engrav-ing by SAINT-MEMIN in thepossession of the Essex Insti-tute, Salem, Massachusetts JUDGE JOHN SAMUELSHERBURNE From the original engrav-ing by SAINT-MEMIN in thepossession of Professor Bar-rett Wendell
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Keywords: ., bookcentury1900, bookdecade1910, bookidbrooklynmuseumqu46broouof
