Auguste Lep©·re [electronic resource] . NE300 L55C25. Cathedrale dAmiens, Journee dInventaire 1 AUGUSTE LEP£RE BY ELISABETH LUTHER GARY T is the fashion of the moment to special-ize in art as in other professions, andwe no longer expect to find the multipletendencies and ambitions of a Leonardo ora Diirer, or even of the self-contained Rem-brandt, in the modern artist. He is apainter or a sculptor or a wood-engraver oran etcher. He is even more closely classifiedas a portrait- or a landscape-painter, an ani-malier or a decorator, a dry-point engraveror a disciple of pure etching, li, as someti
Auguste Lep©·re [electronic resource] . NE300 L55C25. Cathedrale dAmiens, Journee dInventaire 1 AUGUSTE LEP£RE BY ELISABETH LUTHER GARY T is the fashion of the moment to special-ize in art as in other professions, andwe no longer expect to find the multipletendencies and ambitions of a Leonardo ora Diirer, or even of the self-contained Rem-brandt, in the modern artist. He is apainter or a sculptor or a wood-engraver oran etcher. He is even more closely classifiedas a portrait- or a landscape-painter, an ani-malier or a decorator, a dry-point engraveror a disciple of pure etching, li, as sometimeshappens, he escapes from the threads of theLilliputians and swings his arms in a widersweep, it is in the mood of deprecation orexcuse, as a writer may choose to whittlewood or hammer metal in order to clear hisword-fogged brain. There is, however, a wholesome andgrowing impression among thoughtful ob-servers that extreme limitation and restric- tion produce weakness rather than strength,and when we find an artist who has some-thing of the anciebml-NE300_L55_C25
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Keywords: ., bookauthorcaryelisabethluther18, bookcentury1900, bookdecade1910
