Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini 1494? Attributed to the Maestro delle Storie del Pane This portrait and its pendant () represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the portraits: VT SIT NOSTRA FORMA SVPERSTES (In order that our features may survive). Probably made to celebrate a betrothal or marriage, the portraits contain numerous allusions to
Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini 1494? Attributed to the Maestro delle Storie del Pane This portrait and its pendant () represent a husband and wife of the Gozzadini family of Bologna; the family's coat of arms appears prominently in both paintings. The inscribed architectural frieze in the background, which runs across both panels, attests to the commemorative function of the portraits: VT SIT NOSTRA FORMA SVPERSTES (In order that our features may survive). Probably made to celebrate a betrothal or marriage, the portraits contain numerous allusions to love and matrimony, such as the spray of flowers, known as pinks, held by the male sitter, and the fruit (perhaps a quince) held by his wife. The pelican and phoenix at lower left of the male portrait refer respectively to charity and resurrection - Christian virtues here associated with the sacrament of marriage. In the lower right corner of the female portrait are two rabbits and a girl confronting a unicorn, the former connoting fecundity and the latter Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini 459038
Size: 2777px × 3722px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
