Francisco José de Goya y Lucientes. Fool’s Folly, from Disparates. 1816–1819. Spain. Etching and burnished aquatint in black on Japanese paper In this ludicrous vision, bulls tumble effortlessly in the air, completely unfazed by the fact that they are bobbing like balloons. This print is from an enigmatic series that Goya began in his late 70s but never finished before moving to France. Titled Disparates, which roughly translates to nonsense, absurdity, or fantasy, the series would have included at least 25 images, but only 22 plates are known to exist. Fool’s Folly is one of four plates that
Francisco José de Goya y Lucientes. Fool’s Folly, from Disparates. 1816–1819. Spain. Etching and burnished aquatint in black on Japanese paper In this ludicrous vision, bulls tumble effortlessly in the air, completely unfazed by the fact that they are bobbing like balloons. This print is from an enigmatic series that Goya began in his late 70s but never finished before moving to France. Titled Disparates, which roughly translates to nonsense, absurdity, or fantasy, the series would have included at least 25 images, but only 22 plates are known to exist. Fool’s Folly is one of four plates that were separated from the 18 printed posthumously by the Royal Academy of Fine Arts of San Fernando. It was not printed until almost 50 years after Goya’s death.
Size: 3000px × 2284px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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