. Bulletin. Ethnology. -Nine renditions of this song were recorded, without a break in the time. The melody is rhythmic in character but con- tains no rhythmic unit. Only three sorts of progressions occur— the fourth (constituting 32 per cent), the major second (62 per cent), and one interval of a major third (see No. 28). All the major seconds were uncertain in intonation. The song is harmonic in structure and contains the octave complete except the second and seventh. No. 45. Closing Song of the Dragging-Feet Dance (Catalogue No. 702 Recorded by Singer No. 9 VOICB Drum J - 104 Interrupted dr
. Bulletin. Ethnology. -Nine renditions of this song were recorded, without a break in the time. The melody is rhythmic in character but con- tains no rhythmic unit. Only three sorts of progressions occur— the fourth (constituting 32 per cent), the major second (62 per cent), and one interval of a major third (see No. 28). All the major seconds were uncertain in intonation. The song is harmonic in structure and contains the octave complete except the second and seventh. No. 45. Closing Song of the Dragging-Feet Dance (Catalogue No. 702 Recorded by Singer No. 9 VOICB Drum J - 104 Interrupted drum-rhythm as indicated. Drum f A -• ^ •. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectethnolo, bookyear1901
