International studio . ctualin his attacks. Artists are afraid of men with realweapons—or so we are led to think.) The critic, then, must be as highly sensitizedas the artist he writes about, and must be at leastequally keen—perhaps keener—in apprehendingcolour, form, values, and in the power of suggest-ing all these things in his work, so that the pic-ture or the statue may lie made to live in themind of the reader. And it cannot be done withslipshod English. BUREAU OE ADVICEON PAINTINGS We receive so many requests for advice regard-ing the purchase, disposal, genuineness, etc., ofpaintings t
International studio . ctualin his attacks. Artists are afraid of men with realweapons—or so we are led to think.) The critic, then, must be as highly sensitizedas the artist he writes about, and must be at leastequally keen—perhaps keener—in apprehendingcolour, form, values, and in the power of suggest-ing all these things in his work, so that the pic-ture or the statue may lie made to live in themind of the reader. And it cannot be done withslipshod English. BUREAU OE ADVICEON PAINTINGS We receive so many requests for advice regard-ing the purchase, disposal, genuineness, etc., ofpaintings that we have instituted a bureau forhandling these questions in charge of Mr. Ray-mond Wyer, whose experience with museums, andwhose reputation as critic and expert, admirablyqualify him for this work. Letters addressed toThe International Studio Bureau of Advicewill receive attention. In ordinary cases thisservice will be free to our subscribers, but where-expertizing is required a charge will necessarilybe CHINESE GIRL BY JEROME S. BLUM
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
